In the year that I worked in Belen, I spoke to many people about
ayahuasca
and its effects. Listening to scores of informants talk about
their experience
while taking the hallucinogen was very informative; but, after
a couple of
months, this became somewhat repetitious. The same kinds of visions
kept
occurring time after time, as former patients would describe jungle
crea-
tures such as boa constrictors and viperous snakes that appeared
before them
under ayahuasca. For the most part, after a certain confidence
had been
established among informants, details of illnesses suffered and
their
magical origin would be related as the reason for seeking a healer's
help.
Under the effects of the drug, a screen full of visions would
appear to the
person, often much more exciting than the occasional movie he
might attend
in the city. Although some claimed not to have received any visions
under
their particular ayahuasca experience, most did have things to
relate.
Both river and jungle animals would fill the mind's eye. Many
people would
claim to see the person or persons who were responsible for bewitching
them.
Some would report a panorama of activity, in which a person would
express
his innermost thoughts toward the patient, such as sexual desire,
vengeance
or hate, and then proceed to manufacture some medicine to throw
over their
threshold or perhaps slip unnoticed into a drink. Sometimes symbols
would
be reported, rather than panoramic action. One woman spoke Of
a church and
a white veil that she saw in a sort of staccato vision, which
represented to her
how a rejected suitor wanted her to leave her husband and children
to run off
and get married. At times, a person would report seeing someone
sneak up to
their house at night to slip an evil potion across the threshold.
At other times,
someone might appear in a vision laughing sardonically at the
man or woman
whom they were causing to be bewitched. In other cases, a totally
unknown man
or woman would appear before a person in an ayahuasca vision.
However, in all
cases it was the job of the experienced ayahuasquero to interpret
his patients'
visions so as to clarify the cause of their illness. Quite often,
people would say
that their healer, while under the effects of the drug, would
tell them he saw the
person responsible for their misfortune, but would not say who
it was. It was
left for their own drug experience to bring forth this information.
Through this
kind of suggestion, the patient would be brought to a pitch of
expectation. It is
not difficult to imagine how affective need would be expressed
by a particular
vision or illusion stimulated by the drug.
When an unknown person appears before a patient, it becomes the
healer's
job to decide his identity. Many people, however, see members
of their family
or else people with whom they may be having personal difficulties
appear
before them, including neighbors, ex-spouses, in-laws, a rejected
lover, and so
on. If only part of a person is seen in profile, or a turned back
or shoulder view,
the healer once again is called upon to interpret this vision.
The type of vision
that is reported by a person may at times depend upon the rhythm
of the songs
the healer sings. A stacatto beat may bring forth many fleeting
momentary
visions, while slower songs may be used for more prolonged visionary
experi-
ences, such as the ones used to identify evildoers.
The many visions of snakes and boas reported by patients are
used by
healers to effect cures. It is widely believed that a snake (called
in Spanish,
culebra) is the mother spirit of the drug. Many herbs and medicines
found in
nature are believed to have protective spirits which watch over
their plant's
use and are jealous guardians. Such spirits on occasion must be
propitiated
when their plant is cut down or removed by man from the jungle
confines.
Some fishermen and hunters in Belen who regularly bring psychedelics
back
from the heart of the jungle to supply some of the ayahuasca healers
in Iquitos
leave offerings of tobacco and food under the tree when they cut
off the woody
vine. People often talk about the spirits of these plants as jealous
guardians who
must be given special attention. Ayahuasca is no exception here,
and dietary
prescriptions stressed again and again are justified by the jealous
nature of the
plant. It is for this reason that salt, sweets, and lard must
be avoided by
ayahuasca users for at least a twenty-four hour period preceding
and following
the use of the purge. At times, sexual abstinence may also be
requested by the
healer.
The mother spirit of ayahuasca may transform herself into an
animate
creature such as a princess, a queen, or any one of many different
fantasy
forms. This is done to find out if the person who takes the purge
is strong or
fearful. Strength is generally thought of in terms of self-domination,
of not
losing control of oneself under the effects of ayahuasca, nor
screaming in fear
as jungle creatures fill one's visions. For example, a commonly
reported vision
is that a very large snake enters the circle around which a person
is seated in
the jungle or else enters a room where fine is taking ayahuasca.
If the patient
is not frightened by this creature, the snake begins to teach
the person his song.
In a good session, a certain moment will arrive when everyone
who is under
the effects of the drug begins to sing a series of songs at the
same time as they
are visited by the snake in their visions. A frightening vision
is often described
in which a boa enters the patient's mouth. Often identified as
the Yacumama
of folklore, these boa constrictors in everyday jungle life are
enough to cause
horror to the most stout-hearted person. Although poisonless,
such a creature
measures over twenty-five feet long and one foot wide. Its force
is prodigious,
and people say it can eat animals of great size. If a person is
able to remain
cool and not panic, this is a sign that he will be cured. As the
boa enters one's
body, it is a further omen to the man or woman with such expectations
that
he will be protected by the ayahuasca spirit. As with don Federico,
many
healers prepare their patients for the drug experience by discussing
such
common visions. Expectation among the Cholos, at least, is great
that such
snakes will appear before them.
In the West, when we read reports of hallucinogenic drug experiences
(see,
for example, Ebin, 1961), we don't generally find similar kinds
of visionary
experience reported as we do in the rain forest. Cultural expectations
con-
nected with the use of a hallucinogen such as ayahuasca must be
seen as the
explanation for the recurrence of the similarity in types of visions.
Although
I spoke to many people who had never taken ayahuasca, most adults
would
comment in great detail about points of information concerning
the vine,
which could later be verified with healers or former patients.
The presence of
beliefs and expectations of these people vis-a-vis the drug's
action must be seen
as influencing the similarities reported in the actual drug experience.
This occurs not only among the urban poor, but with primitive
use of
ayahuasca as well. One recent study of the use of the psychedelic
vine among
the Cashinahua Indians of Peru by Kensinger (1970), found a certain
fre-
quency of occurrence and a high degree of similarity in the content
of particu-
lar hallucinations. Kensinger's informants reported brightly colored
large
snakes, jaguars, and ocelots, spirits of ayahuasca, large trees
often falling, lakes
often filled with anacondas and alligators, traders and their
goods, and gar-
dens. All quite frequently were reported with a sense of motion.
Certainly,
other factors of interest to most drug researchers enter the picture
here, such
as the personality and past experience of the person taking the
substance, the
setting in which the drug is taken, the dosage level and so on.
However,
cultural variables must be stressed once again as a primary aspect
of drug use.
When reports made my Europeans and Americans who have taken ayahuasca
are compared to jungle populations, some interesting contrasts
emerge. The
following are some brief descriptions of experiences under ayahuasca
that
Westerners, lacking a cultural tradition of drug use have described
for aya-
huasca or its alkaloids. My own experience with the vine has been
included
in these accounts.
Richard Spruce: A British botanist from Yorkshire, Spruce traveled
throughout the Amazon and its tributaries from 1849 to 1864. He
made
extensive collections of South American flora and was the first
modern inves-
tigator to identify ayahuasca in 1851, although his materials
were published
posthumously. Actually, the geographer Villavicencio wrote of
the vine in his
Geography ofEcuador, which appeared in 1858. Spruce observed the
used of
the liana among the Tukanoan tribes of the Uaupes River in the
Brazilian
Amazon. He wrote of the caapi-drinking ceremony as follows:
I had gone with the full intention of experimenting the caapi
myself, but I had
scarcely dispatched one cup of the nauseous beverage, which is
but half the dose,
when the ruler of the feast . . . came up with a woman bearing
a large calabash of
caxiri (mandioca beer), of which I must needs take a copious draught,
and as I know
the mode of its preparation, it was gulped down with secret loathing.
Scarcely had
I accomplished this feat, when a large cigar 2 feet long and as
thick as the wrist was
put lighted into my hand, and etiquette demanded that I should
take a few whiffs
of it--I who had never in my life smoked a cigar or a pipe of
tobacco. Above all
this, I must drink a large cup of palm wine, and it will readily
be understood that
the effect of such a complex dose was a strong inclination to
vomit, which was only
overcome by lying down in a hammock and drinking a cup of coffee.
(Cited in
Schultes 1970, p. 26).
We can see from the above that Spruce did not describe very many
details
of his own experience, except of course, some interesting side
comments on his
disgust with native alcoholic intoxicants.
Michael J. Harner: An American anthropologist trained at the
University
of California at Berkeley, Dr. Harner is now a professor of anthropology
at
the New School for Social Research in New York. He went to study
the Jivaro
Indians of the Ecuadorian Amazon in 1956-1957. During the first
year that
Dr. Harner worked among the Jivaro, he didn't appreciate the psychological
impact of the natema or ayahuasca drink upon the native view of
reality. The
drink itself has many names in different parts of the Amazon-called
yage' or
yaje' in Colombia, ayahuasca in Peru and parts of Ecuador, and
caapi in Brazil.
The Jivaro are among the best known Amazonian group to use this
prepara-
tion in crossing over to the supernatural world at will to deal
with the forces
they believe influence and even determine the events of waking
life. In 1961
Dr. Harner returned to the Ecuadorian Amazon and was able to drink
the
hallucinogenic brew in the course of fieldwork with another Upper
Amazon
Basin tribe.
For several hours after drinking the brew, Harner found himself,
although
awake, in a world literally beyond his wildest dreams. He met
bird-headed
people as well as dragon-like creatures who explained that they
were the true
gods of this world. He enlisted the services of other spirit helpers
in attempting
to fly through the far reaches of the Galaxy. He found himself
transported into
a trance where the supernatural seemed natural and realized that
anthropolo-
gists, including himself, had profoundly underestimated the importance
of the
drug in affecting native ideology. In 1964, Dr. Harner returned
to the Jivaro
and studied the shamanistic use of the plant. An article he published
in 1968
in Natural History reproduces drawings of one Jivaro shaman, who
drew
figures of what he saw while under the influence of the powerful
natema.
Snakes, devils of the Christian religion and jaguars were some
of the things he
saw (1968: 28ff).
Chilean Psychiatric Patients: The Chilean psychiatrist, Claudio
Naranjo,
administered one of the three major alkaloids of ayahuasca, called
harmaline,
to a population of thirty volunteers in Santiago under controlled
conditions.
The reactions of these persons are interesting to examine. Physical
sensations
accompanied the drug experience, with a sense of numbness of the
hands or
feet generally present. Distortions of body image were only rarely
encountered,
while subjects indicated isolated physical symptoms such as pressure
in the
head, discomfort in the chest or enhancement of sensations such
as breathing
or blinking. Eighteen of the volunteers reported dizziness or
general malaise,
which tended to appear or disappear throughout the session. As
far as percep-
tion was concerned, rarely were distortions of forms, alterations
in the sense
of depth or changes in the expression of faces part of the drug's
effect. Naranjo
found that with harmaline, the environment remains essentially
unchanged,
both in regard to its formal and aesthetic qualities. With eyes
open, the most
often reported phenomenon was the superposition of images on surfaces
such
as walls or ceiling. Or else imaginary scenes would be viewed
simultaneously
along with an undistorted perception of surrounding objects. Such
imagery,
however, was not usually taken to be "reality." Some
people described light-
ning-like flashes.
When the subject's eyes were closed, colors were predominantly
red-green
or blue-orange contrasts. Among his middle-class urban Chilean
volunteers,
Naranjo reported the occurrence of certain themes such as felines,
Negroes,
and flying. More than half the subjects reported buzzing sounds
in their heads.
When he gave his patients mescaline at a later date and compared
the two sets
of reports, he found that harmaline effected emotional activity
less than mesca-
line. Thinking, too, was affected only in subtle ways, if at all.
Naranjo found
visions his patients concerned with religious or philosophical
problems under
harmaline's effects. The typical reaction could be said to be
a closed-eye contem-
plation of vivid imagery without further effect than wonder and
interest in its
significance. The psychiatrist concluded that this was quite in
contrast to the
ecstatic heavens or dreadful hells of other hallucinogens. Interestingly
enough,
although harmaline had a lesser effect on the intensity of feelings,
it did cause
qualitative changes in emotions. In Naranjo's opinion, this may
have ac-
counted for the pronounced amelioration of neurotic symptoms which
eight
of the thirty subjects evidenced.
Desire to communicate was found to be slight under the effects
of harma-
line. Other persons were felt to be part of the external world
and such contact
was avoided. Some of Naranjo's subjects felt that certain scenes
which they saw
had really happened, with their own disembodied presence bearing
witness to
them in a different time and place. He saw this to match the experience
reported for South American shamans who take ayahuasca for purposes
of
divination. In further animal experimentations Naranjo did with
harmaline,
he found complex brain modification which permitted him to conclude
that
the neurophysiological picture matches that of the traditional
ayahuasca
dreaming often reported, in that the states he described involved
lethargy,
immobility, closed eyes and generalized withdrawal from the environment.
At
the same time there was an alertness to mental processes and an
activation of
fantasy (Naranjo, 1967: 385).
Alien Ginsberg: The well-known poet Alien Ginsberg and the writer
Wil-
liam S. Burroughs corresponded about the powerful psychedelic
vine. Bur-
roughs' early letters to Ginsberg in 1951 described his picaresque
search for
the mind-expanding drug, known in Colombia as yage. Some seven
years later,
Ginsberg wrote to Burroughs about his own experience with ayahuasca
in
Pucallpa, Peru. Excerpts from the following letter published in
Yage' Letters,
is dated June 10, 1960:
... the first time, much stronger than the drink I had in Lima,
Ayahuasca, can
be bottled and transported and stay strong, as long as it does
not ferment--needs
well closed bottle. Drank a cup-slightly fermented also--lay back
and after an
hour . . . began seeing or feeling what I thought was the Great
Being, or some sense
of It, approaching my mind like a big wet vagina--lay back in
that for a while--
only image I can come up with is of a big black hole of God--Nose
through which I
peered into a mystery--and the black hole surrounded by all creation
particularly
colored snakes--all real.
I felt somewhat like what this image represents, the sense of
it so real.
The eye is imaginary image, to give life to the picture. Also
a great feeling of
pleasantness in my body, no nausea. Lasted in different phases
about 2 hours--the
effects wore off after 3-the phantasy itself lasted from 3/4 Of
hour after I drink to
21 hours later more or less (Burroughs, 1963: 51).
Ginsberg also describes a second experience as follows:
... then lay down expecting God knows what other pleasant vision
and then I
began to get high--and then the whole fucking Cosmos broke loose
around me, I
think the strongest and worst I've ever had it nearly (I still
reserve the Harlem
experiences, being Natural, in abeyance. The LSD was Perfection
but didn't get me
so deep in nor so horribly in)--First I began to realize my worry
about the mos-
quitoes or vomiting was silly as there was the great stake of
life and Death--I felt
faced by Death, my skull in my beard on pallet and porch rolling
back and forth
and settling finally as if in reproduction of the last physical
move I make before
settling into real death--got nauseous, rushed out and began vomiting,
all covered
with snakes, like a Snake Seraph, colored serpents in aureole
all around my body,
I felt like a snake vomiting out the universe ... (p. 51-52).
Ginsberg's visions continued with spectral rays around the hut
in which he was
taking ayahuasca. Although the crooning of the maestro was comforting,
he
was frightened and lay there with waves of fear rolling over him.
He resigned
himself to whatever fate was in store, after a thorough examination
of his soul.
He feared he would go mad, he wrote, if he took yage again, although
he had
plans to go upriver on a six-hour journey to take ayahuasca again
with an
Indian group.
Richard Evans Schultes: An eminent American botanist and world
author-
ity on narcotic and stimulating plants, Dr. Schultes is now director
of the
Harvard Botanical Museum. He spent fourteen years from 1941 to
1954 living
with various Indian groups of the South American Amazon, and has
identified
many little-known hallucinogenic plants. He became interested
in Spruce's
work on South America and retraced most of his itinerary, re-collecting
many
of the plants that Spruce originally found in that area. Schultes'
list of publica-
tions is enormous: he has worked in areas from Mexico to Brazil.
Editor of
the prestigious journal, Economic Botany, Dr. Schultes has spent
much of his
botanical career in helping to clarify taxonomic problems connected
with the
ayahuasca vine. Like other scientists in the field of botany,
psychiatry and
medicine, Schultes prefers not to take anyone's word that a particular
plant
can cause a particular effect. Whenever possible, he has taken
preparations in
ritual settings along with his informants.
In discussing his own Banisteriopsis experience, he mentions
that it is often
difficult to describe an ayahuasca intoxication since the effects
of the alkaloid
harmine, apparently the prime psychoactive agent, does react variably
from
one person to another. Moreover, methods of preparing the plant
differ from
area to area and admixtures can alter the effects of the drink's
principal
ingredient.
Dr. Schultes summarizes his own experiences as follows: "...
The intoxica-
tion began with a feeling of giddiness and nervousness, soon followed
by
nausea, occasional vomiting and profuse perspiration. Occasionally,
the vision
was disturbed by flashes of light and upon closing the eyes, a
bluish haze
sometimes appeared. A period of abnormal lassitude then set in
during which
colors increased in intensity. Sooner or later a deep sleep interrupted
by
dream-like sequence began. The only after-effect noticed was intestinal
upset
and diarrhea on the following day" (1970: 28).
Marlene Dobkin de Rios: When I spent three months in 1967 studying
mescaline healing in the Peruvian coast, I observed several ritual
sessions
where I was invited to drink the hallucinogenic potion. Yet, although
it was
readily available to me, I must admit that I was frightened, in
fact horrified
to imagine all the terrible things that self-knowledge might bring
me. Sure as
I was that I was harboring all sorts of incurable neuroses within,
I hesitated
and decided not to try the San Pedro brew. Many rationalizations
sprung to
mind--time was short and I might have bad side-effects. What would
I do if
the after effects were so severe that I couldn't continue my work?
I felt alone,
and what would happen if my self-protective shield was knocked
over? And
so, despite the kindly offers of my informants and the healers
I visited, I
resolved not to try the mescaline cactus.
When I returned home and wrote up my field experiences about
San Pedro
use, it seemed as though I had somehow missed the point. In October
1967,
I was invited to participate in a conference sponsored by the
R. Bucke Society
in Montreal, Canada. Bucke was a Canadian psychiatrist who coined
the term
cosmic consciousness. The society which bore his name was concerned
with
religious and mystical states in which Bucke showed much interest,
despite the
general disdain and scorn such matters still hold for many serious
scientists.
At the meeting, after listening to various participants discuss
some aspect
of the question, "Do Psychedelic Drugs have Religious Significance?"
(see
Prince, 1969), I realized that the reality I reported on was quite
a different one
than that of people who used such substances for mystical or religious
pur-
poses. By the time I returned to Peru in June of 1968 to begin
my ayahuasca
study, I sensed that if I were ever to go beyond the detachment
that I had so
carefully cultivated, I would have to take ayahuasca myself.
Yet, as the months passed and opportunities presented themselves
to try
ayahuasca, I still managed to avoid the experience. Finally, the
time ap-
proached for me to leave Iquitos to participate in a symposium
on "Hallucino-
gens and Shamanism," which was to be held at the American
Anthropological
Association's annual meeting in Seattle, Washington. I knew that
I would be
addressing a large group of my colleagues about a substance which
in truth,
I had to admit I knew very little. Although I had been collecting
data for
almost five months on ayahuasca, it was really just hearsay evidence.
I often
had the smug feeling that I was the only sane person in an insane
world.
Resolved then finally to take the purge, I decided first to take
advantage of the
availability of a small dose of 100 micrograms of LSD, which my
colleague
and I originally planned to give to the healers we worked with
at the end of
our study. Unfortunately, this plan did not materialize, as legal
production of
such substances was terminated. Nonetheless, I was able to take
the LSD at
home under medical supervision, albeit in the comfort of my Iquitos
house,
surrounded by the music I liked, with a friend as company and
in the presence
of paintings, folk art, and flowers. Two weeks later I took an
unknown dose
of ayahuasca mixed with chacruna (probably containing DMT) under
the
supervision of don Antonio. My experience with LSD was simply
one of the
most aesthetically rewarding experiences I have ever had in my
life. Accom-
panied by eighteenth century harp music which seemed endless in
its reception,
I could not really describe the aesthetic dimensions of the fast-moving
kaleideoscopic visions, although many medieval images probably
invoked by
the quality of the music filled my vision. As the height of these
pseudo-illusions
lessened, I found myself discussing who I was, what I was doing,
what I
wanted from life, what life meant to me, and a series of questions
that I hadn't
been concerned with since I was a teenager. I might point out
that at the
beginning of the session, upon the advice of a friend, I decided
to ponerme en
bianco--or simply, to flow with the force of the experience. From
my readings
about drug experiments, I knew that a common feature of the "bad
trip" was
the resistance that a person might offer in attempting to hold
back or try to
control the drug's effects.
When I took ayahuasca, the previous LSD experience stood me in
good
stead in that my book-learned expectations had been replaced by
the real thing.
It was with enthusiastic expectation that I met don Antonio one
Monday
night, along with my colleague, to take the ayahuasca brew that
had been
prepared for me.
That evening in Belen, Antonio was even busier than usual, attending
to the
many patients who came to him to be exorcised or treated for assorted
ail-
ments. I sat patiently for over an hour, chatting with my colleague,
Dr. Rios,
who had just returned from a brief trip to Lima. He was full of
details about
the people we knew. Finally, Antonio led us through a maze of
houses to a
distant reach of Venecia. where a friend of his allowed him to
use his floating
balsa house for our session. Two other people were present, but
I paid very
little attention to them in my nervousness.
We got comfortably seated on the floor of the house, and Antonio
passed
the potion around. I noticed as I drank that Antonio, to be sure
that the
"gringa" got her full share of visions, gave me a cup
brim-full of the not so
pleasant-smelling liquid. Others who drank that night, in retrospect,
seemed
to have been given a much smaller amount.
The following is an account of what happened.
About ten minutes later, feelings of strangeness came over my
body and I
had difficulty in coordinating extremities. Quick-arriving visual
forms and
movements hit before my eyes some twenty minutes after taking
the drink, and
a certain amount of anxiety that was not difficult to handle
was felt, especially
when Halloween-type demons in primary reds, greens and blues
loomed large
and then receded before me. Very fast-moving imagery almost like
Bosch's
paintings appeared, which at times were difficult to focus upon.
At one point
after I touched the arm of my friend for reassurance, the primary
colors
changed to flaming yellows and pinks, as a cornucopia full of
warmth filled
the visions before my eyes and gave me a sort of peripheral vision
extending
toward the person I had touched. Then in harmony with the healer's
schacapa,
a series of leaf-faced visions appeared, while my eyes remained
open. They
were followed by a full-length colored vision of a Peruvian woman,
unknown
to me but sneering in my direction, which appeared before me.
Then more
visions arrived, followed by heavy vomiting and diarrhea which
lasted for
about three hours.
In New York, where I grew up, vomiting was hardly anything to
celebrate,
and I remember my concern at the terrible noises I made with
the "dry heaves"
that afflicted me. Yet, later on, when chatting with others,
I realized that in
the rain forest, people periodically induced vomiting in their
children so as to
purge them of the various parasitical illnesses which are rampant
in the region.
My colleague told me later on that don Antonio in his subsequent
healing
sessions would often refer to the gringa who had vomited heavily
with aya-
huasca and the terrible noises she made. He even imitated me
to the great
amusement of his audience.
Throughout the experience, any light was painful to my eyes.
Time was
experienced as very slow-moving. After-effects included physical
weakness for
a day or two, but a general sense of well-being and looseness
in dealing with
others.
At this point, it might be interesting to examine some of my
experiences
under ayahuasca, since my own lack of a cultural expectation toward
the use
of such a substance gave me differing responses than those reported
by the
informants with whom I worked, despite the fact that I had been
collecting
data on informants' visions. No jungle creatures filled my vision,
nor did I
experience the often-reported floating sensation. The visions
I had contained
symbols of my own culture. The unknown woman who appeared to me
in my
vision was dressed very much like the urban poor among whom I
worked, but
she somehow looked more opulent and well-off than many of the
near-starving
friends I had made in Belen. I remember my curiosity at her apparent
dislike
of me and that she should behave in that manner, but I didn't
pay much
attention to the vision nor did it change my mood at all. Later
on, when telling
of my experiences to friends in Belen, some ventured that this
woman who
appeared to me may have been responsible for a parasitic illness
I developed
during the course of my work. I could see how people appearing
before a sick
person might easily be linked to malice regardless of whether
or not they are
known to the patient. Had I grown up in this society and received
continual
conditioning toward a belief in magical source of sickness, it
is quite probable
that I would have interpreted this vision as a revelation of who
it was that
caused me to become ill.
When I took ayahuasca, I was unaware of the unwritten rule about
not
touching another person. I was later told by the healer who guided
my aya-
huasca session that I had received a double dose of the potion
by touching
another person and magically had the experience of two doses.
The vomiting
and diarrhea that afflicted me, thus, were my own fault for not
following
precepts that were unknown to me. The Peruvian painter, Yando,
whose arm
I touched during the session has prepared a series of drawings
portraying the
visions he has had under the influence of ayahuasca. In addition,
he has made
some ink drawings of the sessions, (see p. 70) which are difficult
to photograph
because of the problem of pupilary dilation and painful light.
That evening,
he had no visions from the purge.
The feelings of well-being that dodged my steps for several months
after the
ayahuasca experience were one area, however, that did overlap
with my infer-
mants reports. Many people agree that the ayahuasca experience
stays with
them for a long time, relaxing them and making their dealings
with others
somewhat more easy and fruitful.